Willie Brown
Say Hey, Willie Mays!
The life of baseball legend Willie Mays is explored in this film that looks back at his childhood and his meteoric rise in baseball.
Mario Puzo's The Godfather, Coda: The Death of Michael Corleone
Leikstjórinn/handritshöfundurinn Francis Ford Coppola setur sannarlega sitt mark á klippingu og endurreisn lokamyndarinnar í hinum epíska þríleik Godfather - Mario Puzo's The Godfather, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), nú á sjötugsaldri, reynir að frelsa fjölskyldu sína frá glæpum og finna hentugan arftaka að veldi hans. Þessi arftaki gæti verið hinn blóðheiti Vincent (Andy Garcia)... en hann gæti líka verið neistinn sem breytir vonum Michaels um lögmæti rekstrarins yfir í vítiseld mafíuofbeldis. Vandlega endurunnin mynd og hljóð í þessari kvikmynd, undir stjórn American Zoetrope og Paramount Pictures, inniheldur nýtt upphaf og nýjan endi, sem og breytingar á atriðum, skotum og tónlist. Niðurstaðan endurspeglar upphafleg áform höfundarins Marios Puzo og Coppolas fyrir The Godfather: Part III og skilar, með orðum Coppolas, "meira viðeigandi niðurstöðu fyrir The Godfather og The Godfather: Part II".
The First Angry Man
If you ever wondered how the great public ambitions of postwar America collapsed into a permanent tax revolt (cue the Tea Party) and the election of a so-called populist president, look no further than Howard Jarvis, whose 1978 ballot initiative, Proposition 13, changed everything in California and beyond. "The First Angry Man," a new documentary by award-winning filmmakers Jason Cohn and Camille Servan-Schreiber ("Eames: The Architect and the Painter"), unpacks the dramatic campaign, its quirky characters and its enduring consequences. Featuring lively archival footage and interviews with first-hand witnesses to the events, including governor Gray Davis, Nobel economist Joseph Stiglitz and anti-tax firebrand Grover Norquist, "The First Angry Man" draws a bracket around the last four decades of American political life, inviting viewers to see our era as an anomaly in American history, at odds with some of our nation's deepest underpinnings.