Usha Nadkarni
Fussclass Dabhade
The Dabhade family gathers for a grand wedding, setting the stage for fun and chaos. Old arguments resurface, emotions run high, and heartfelt moments unfold. In the midst of it all, they are reminded of the unshakable bond that defines family.
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Deool
In the rural areas of Maharashtra lies a peaceful village called Mangrul. One day Keshav (Girish Kulkarni), a village youth, sees lord Dattatrey (Datta) in his dreams while taking a nap under a tree. He makes a hue and cry in the village saying God made an appearance for him. Anna (Dilip Prabhavalkar), most respected figure of Mangrul, advises him against announcing such personal matter as it’s a question of faith. However, it is too late as a journalist (Kishor Kadam) sensationalizes the news about Lord Dattatrey making an appearance in Mangrul. There is now a demand for a Dattatrey temple. Bhau (Nana Patekar), a political activist, doesn’t approve it as he wants the funds to be used for better purposes but he seems helpless. The temple is built and the village becomes a holy place. Mangrul goes through a 360 degree change due to commercialization but nobody is complaining except Anna. Soon, blinded by the commercial progress, God is forgotten. Every village has a right to progress commercially but how ethical it is to use a temple and its God to achieve it? The question is raised by Writer Girish Kulkarni & Director Umesh Vinayak Kulkarni’s latest offering ‘Deool’, without being judgemental. While it does this, the audience is treated to some quality cinematic experience which is enlightening.
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Apple iTunes
Bhoothnath Returns
Bhoothnath Returns takes Bhoothnath's story forward. As he returns to 'Bhoot World' he is greeted with taunts and condemnation from other ghosts for bringing disrepute to the ghost-community for getting bullied by a kid on Earth. Post the humiliation, Bhoothnath decides to redeem himself and come back to scare a bunch of kids. Bhoothnath's search for kids brings him to Akhrot, a slum kid who is also the only person who can see him.
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