Josh Homme

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American Valhalla

American Valhalla

7.5
Dokumentar
2017

American Valhalla tells the story of an unlikely musical collaboration between two mavericks of American rock: Joshua Homme, frontman of Queens of the Stone Age and Iggy Pop, the Godfather of Punk. The film, co-directed by Homme, follows the recording of Iggy’s final album ‘Post Pop Depression’ in the California desert, with his band comprising of Homme, his QOTSA bandmate Dean Fertita and Arctic Monkeys’ drummer, Matt Helders, as well as the explosive tour that builds to a crowning performance at London’s iconic Royal Albert Hall. Featuring stunning cinematography and intimate access, American Valhalla reveals the growth of an intense bond between the musicians who have taken to heart the mantra: "you risk nothing you gain nothing. "

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Iggy Pop: Post Pop Depression: Live At the Royal Albert Hall

Iggy Pop: Post Pop Depression: Live At the Royal Albert Hall

8.8
Musikal
2017

Iggy Pop’s show at the Royal Albert Hall on May 13th 2016 has been described as “the performance of a lifetime”.Pop had recorded the album Post Pop Depression with Joshua Homme of Queens Of The Stone Age (who produced and co-wrote the record) as a highly personal and introspective reflection back on his career to date.Post Pop Depression is the 17th Iggy Pop album—and the first to be co-created with producer/guitarist/songwriter/multi-instrumentalist/bandleader Homme. It was recorded in seclusion in Homme’s home studio in the Californian desert, and he enlisted support for the recording from his Queens Of The Stone Age bandmate & Dead Weather-man Dean Fertita, and Arctic Monkeys' drummer Matt Helders.Joined on stage by something of a super-group featuring Homme, Fertita, Helders, Troy Van Leeuwen of Queens Of The Stone Age, and guitar legend Matt Sweeney, Iggy storms through a selection of tracks from Post Pop Depression and his 1977 David Bowie-produced albums The Idiot and Lust For Life. The Royal Albert Hall was packed to capacity and Iggy performed one of the standout shows of his career. The Post Pop Depression backing band supported Pop’s punk antics with a rock ‘n’ roll homage of their own to a true original.An unmissable musical event, which was hailed by The Sunday Telegraph as one of the best gigs the reviewer had ever seen.

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Desert Age

Desert Age

7.6
Dokumentar
2016
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Lo Sound Desert

Lo Sound Desert

7.0
Dokumentar
2016

Lo Sound Desert is a documentary about the Californian Desert music scene, which gave birth to bands like Kyuss and Queens Of The Stone Age. What basically started by revolving punk rock kids - hidden from narrow-minded authorities of suburban desert communities in the early 80s, became a vibe over the years. Desert Rock, often misinterpreted as musical genre continued its international underground spread until today.

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The Man from Mo'Wax

The Man from Mo'Wax

7.4
Dokumentar
2016

James Lavelle played his first DJ set at 14, launched pioneering record label Mo'Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it's only when you're going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

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Primal Scream: Screamadelica

Primal Scream: Screamadelica

6.7
Dokumentar

A watershed '90s release, Screamadelica was the most convincing marriage of overground rock and underground dance music yet. With one foot in beggars Banquet-era Stones (the gospel-rock "Movin' on Up") and the other in the trippy soundscapes of rave culture (the Orb-produced "Higher Than the Sun"), Primal Scream caught the mind-blown euphoria of Ecstacy better than anyone. From the incantatory anthems "Loaded" and "Come Together" to the sinister rendering of the 13th Floor Elevators' "Slip Inside This House," Screamadelica was a modern psych classic.

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