Bryn Mooser
They Call Me Magic
Earvin "Magic" Johnson er et historisk ikon – fra beskjedne kår til drømmelaget til stor forretningsmann. Dokumentarserien byr på intervjuer med president Obama, Larry Bird, Pat Riley med flere, og kartlegger livet og karrieren til en legende.
Carpet Cowboys
The psychedelic carpets lining our hotel hallways, casinos, and convention centers can be traced to one town: Dalton, Georgia, the “Carpet Capital of the World. ” In this bastion of American manufacturing we find an interwoven set of locals who are the unsung creators and developers behind the majority of the country’s carpets, always looking at the ground for their next big break. Among them is Roderick James, a Scottish expat and freelance textile designer living his life as a modern-day cowboy with an ambitious slew of eclectic business ventures. Through Rod’s journey chasing after The American Dream and the experiences of his peers in Dalton, CARPET COWBOYS explores the tensions between personal and national identity, and the rapidly changing global economic model of the United States that too often leaves so many behind. Where does the myth of American identity begin and where does it end, and who ultimately gets to cash in?
I Didn't See You There
As a visibly disabled person, filmmaker Reid Davenport sets out to make a film about how he sees the world, from either his wheelchair or his two feet, without having to be seen himself. The unexpected arrival of a circus tent outside his apartment in Oakland, CA leads him to consider the history and legacy of P.T. Barnum’s Freak Show and its lingering presence in his daily life in the form of gawking, lack of access, and other forms of ableism. Informed by his position in space, lower to the ground, Davenport captures indelible images, often abstracted into shapes and patterns separate from their meaning. But the circus tent looms in the background, and is reverberated by tangible on-screen interruptions, from unsolicited offers of help to careless blocking of ramps. Personal and unflinching, I Didn't See You There forces the viewer to confront the spectacle and invisibility of disability.