Conceived and written at 19 and directed at 22, Suicide Trip is an age-laced perspective rarely seen in cinema. An equal part crude and heartfelt; comic and insane, “Suicide Trip, ” is a forgotten sign of the times. Following three exaggerated archetypes—riffing high school films—it is and was something of an odd-yssey that never quite found a home. The story exists somewhere between dream and fantasy, stamped with a young director’s vision.

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